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How to Improvise Jazz on trumpet

ANOTHER VIEW: a well improvised solo should simply become "another tune", a new musical
statement, stretched over the harmonic fabric of the original progressions. I personally have
reservations as to the concept of being able to "teach" composition or improvisation.
We can lead students to the water, but they must drink.

QUESTION: Why do so many jazz players use "licks"?

(1) Because they (inexperienced players) have spent hours practicing and memorizing
other peoples solos. "Most favored passages", become licks!

(2) They buy "books of licks" and memorize them for the express purpose of regurgitating
0them during their favorite chord progressions.

(3) They are "TAUGHT" a scalar approach to improvisation - that is, for every "verticle
chord" there is a corresponding "horizontal scale". Eg., ii; V; I , elicits a Pavlovian,
scalar response.

(4) They view a solo as "a series of changes" which must be "filled-up" with "hip devices".
Very often, the most valued and admired soloist is the one who is able to fit the most notes and/or
ideas into the thirty two bar form.

(5) They have not yet developed the concept of "less is more".

(6) Most players evolve over many years - gradually being able to rid their solos of
musical "ideas" and "materials" which are IRRELEVANT to the ideas with which they BEGAN the solo !

I believe it is helpful to view an improvised solo in the same context as one would
when writing a coherent paragraph. Of course, with the paragraph it is a simple matter to go back
and edit irrelevant ideas. When we improvise a solo, there are no possibilities for editing!
In defense of "Licks", or abbreviated musical thoughts, it is difficult to truly develop
(compositionally speaking) a coherent musical thought in a mere thirty two bars. But,
it takes even greater skills to keep the listener "awake" through multiple choruses! (grin!)
No attempt to belittle nor disparage, here. Simply a compositional approach to improvisation.

Keep 'Em Flying!


Can anyone please explain to me the basics of improvizing? I have never really
understood the concept of this miraculous skill. (elided)


1. You "listen" to the rhythm section, which is playing a series of "changes"
which are, more or less, unique for each tune. This series of chord progressions is the harmonic
structure upon which we will hang our "new" melody.

2. Begin by "singing" along with the changes. You may simply want to "ornament" the old melody,
at first, until you become more comfortable with the process. Don't forget the various elements
involved in creating a good melody: a concept of a beginning, (idea) an "expansion" toward a
culmination point, and a feeling of having "evolved" (arrived) somewhere. Sequence, imitation at
various intervals, and other developmental techniques should be utilized.3. Later, as your compositional
skills grow, you may be able to improvise several choruses with only a veiled reference to the "original"
melody (sometimes called, the "head").
4. One of the pitfalls, for the beginning improvisor, is to try to play everything he knows within
every chorus of every tune.


6. Equally sleep inducing, is the approach where one "lies in wait" for certain isolated
harmonic patterns - in order to play preconceived, or more likely, memorized "licks". (Often, what
goes on "in between licks" is notably un-memorable).


The "other shoe" consists of developing your TRUMPET PLAYING skills to the point where
you can instantly "realize" your "mental musical ideas" while playing.


If you are successful with PART ONE, PART TWO will no doubt follow. If not........!


Yesterday, I received a query from someone who wanted to know how to, "improvise like
Bobby Hackett". Here is my response.

query: There's no book or secret?

(me) Nope - just lots of experience, with the resultant "good taste"!

query: What's he doing when he plays a phrase then goes up or down 1/2 or 1 step and
replays it then goes up or down 1/2 to 1 step and replays it with a slight variance? What's that called?

Composers call it "Sequence".

Where can I learn it?

By listening to fine composers. So many "Jazz" players are too busy trying to fill up their
solos with "sheets of sound", "hip licks", and "weird scales" they have memorized. (Devices that,
unfortunately, no-one wants to hear, save for music majors!) (: >) A good improvisor simply
invents a new piece of music to fit the "old" chord progressions. Just a different viewpoint!

Clyde Hunt PS - Anyone remember Louie's "Boppinpoof Song"?

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